wildlife and nature from around the world. His photographs range from the wildlife and terrain of Africa through to the Antarctic. * Henri Cartier-Bresson – these strikingly moving photographs of people of all ages are very thought provoking. While some of the subjects of the photographs such as Truman Capote and John Houston are well known, many of the photographs are of everyday people with no special fame or renown. * Jim Brandenburg – this artist features very close up and detailed photographs of wolves in nature. Brandenburg often spent literally hours waiting in extreme conditions for just the right angle and shot. All art photography is a combination of luck and technical discipline. Being able to wait for just the right light, expression or movement to capture what the photographer is trying to explore is both an art and a science. Those art photographers that have become famous for their talent and training have spent years developing techniques and styles that make their pictures truly unique. Learning art photography is a wonderful way to capture images to save for future generations. Title: The Magic Of Classical Movies - A Complete Review Word Count: 499 Summary: Undoubtedly the production of the classical movie has got to be one of the finest “inventions” since the stapler. In fact, the classical movie is one which we had the benefit of when we were kids, when at that time there were only three television channels restricted viewing opportunities were given reprieve as Saturday afternoons and Sundays—when Dad wasn’t sucked into The Wide World of Sports —held movies from the times of the past; movies that feature glamour girls and fea... Keywords: classical movie Article Body: Undoubtedly the production of the classical movie has got to be one of the finest “inventions” since the stapler. In fact, the classical movie is one which we had the benefit of when we were kids, when at that time there were only three television channels restricted viewing opportunities were given reprieve as Saturday afternoons and Sundays—when Dad wasn’t sucked into The Wide World of Sports —held movies from the times of the past; movies that feature glamour girls and fearless males that had long since passed out of our way of life. Although there is evidently a clear distinction, between classical movies and classical movies with only classical period elements (music, costumes, storylines, etc.), I would like to address the delight of the classical movie of yesterday
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